loading

Everything about accessibility at TQW can be found here.

Accessibility

Adjust Text

100%

Highlight Title

More Line Spacing

More Line Spacing

Adjust Colors

Dark Contrast

Light Contrast

High Contrast

High Saturation

Low Saturation

Monochromatic

More Help

Reading Guide

No Animations

Large Cursor

Workshops
All Levels
Workshop on Stage

ANTI-MUSE

28.02. 2026

ANDREA VEZGA ACEVEDO, IRIS OMARI ANSONG, MIRABELLA PAIDAMWOYO* DZIRUNI

Workshop on Stage

©

Foto © ina aydogan, CollageEditing © amaaena

Accompanying the performances of ANTI-MUSE – to  those yet to come, this workshop offers deeper insight into the piece and the mythologies connected to it. Participants are invited to engage with the anti-muse as a force of resistance and transformation and the Black Atlantic as a space for reimagination and opacity. Through the repertoire of Twerk and Whine, we will explore the embodiment of the anti-muse. Twerk is often used in popular culture, like music videos and live shows, but has its roots in a lineage of dances of liberation, connecting to ancestral practices that center the hips and pelvis as carriers for strength, pleasure, and creative power. We will imagine ourselves as the sirens of our own pleasure, evoking the timeless energy of the anti-muse.

Time

15:30–17:00

Location

TQW Studios

Duration

90 Min

Price

€ 15 / For every purchased ticket, you will receive a discounted performance ticket for € 10.

Additional Information

In English

  • Artist Bio

    Andrea Vezga Acevedo

    (she/her) is a Costa Rican/Venezuelan booty-centric movement researcher, performer, and maker based in Vienna. She studied contemporary dance and international affairs at the National University of Costa Rica and holds an MA in Arts and Science from the University of Applied Arts Vienna. Her work is rooted in emic and polycentric research, with a strong focus on diasporic dance forms.

    Iris Omari Ansong

    (she/none) is an artist, dancer, and performer from Vienna. Her work reflects diasporic experiences, tracing futures, desires, and histories through a Black, queer lens. Influenced by dance genres and sounds of the African diaspora, Omari Ansong explores contemporary performance as a space of imagination, resistance and hybridity. Her recent collaborations include when broken glass glitters (2025), The Last Feminist (2024), and Silent Lovers (2024).

    mirabella paidamwoyo* dzirunis

    (they/them) interdisciplinary artistic practice focuses on empowerment and collaborative healing processes. Inspired by everyday life experiences, de-colonial and anti-racist methods are used and elaborated to take up space in diverse public and private spaces, with non-binary, queer, Black aesthetics. Dance, styling, self-presentation, and continuous energy exchange are the main components for complex creations, representing visible signs of change.

  • Workshop Levels

  • Dates

    • No upcoming events at this time

Related Events