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06.10.
2026
WINONA HUDEC & LAU LUKKARILA
Pitchfall
© Winona Hudec
Electric guitars, ardor, merch, screaming crowds, to be part, to know the gestures, the lingo, the lyrics, to be familiar with the intricacies, to be a groupie. Pitchfall is a work-in-progress showing of an ongoing research into the zest of fandom – an electric and complicated space where adoring something intensely blends into embodiment. Navigating questions of social access and erasure within a commodified cultural landscape and an ongoing cultural appropriation, Winona Hudec and Lau Lukkarila reminisce on spectacles and phenomena of fandom as well as personal archives of adoring. Structured around songs and instruments, scenes embrace a tension between rehearsal and liveness.
Time
19:30–20:00
Location
TQW Halle G
Duration
30 Min
Price
Free admission
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Dates
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MON
06.10.
Winona Hudec & Lau Lukkarila
Pitchfall
19:30 – 20:00
TQW Halle G
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Artist Bio
Winona Hudec
(they/he) is a multidisciplinary artist who integrates ideas from various professions, including designer/visual artist, curator, and musician. Their work is characterized by a playful curiosity that allows them to stumble across the boundaries of genres and media. Since 2021, Hudec has been co-organizing and co-curating the Vienna event series Augend&Addend with Mara Never.
Lau Lukkarila
(they/them) is an artist from Finland’s Bay of Bothnia. Moving across disciplines, their performative work researches will and wounds under the allures and burdens of affect and they are drawn to poignant wit and pocketknives. Lukkarila studied at the Metropolia University of Applied Sciences in Helsinki and the Royal School of Performing Arts in Madrid. Their work has been presented at Mad House Helsinki, the Austrian Pavilion at the Gwangju Biennale 2024 (Club Liaison, Liesl Raff), HochX Munich, LOFFT Theater Leipzig, ImPulsTanz Festival, Tanzquartier Wien, brut Wien, Kunstraum Niederoesterreich, and Odeon Theater. Under the name Schoßhund, they’ve released three EPs – HEAVYCRUSH (2022), HUFKLANG (2020) and Super Like (2019).