how, on floors

how, on floors shortens the distance between places without putting presence before absence. It requires the kind of attention that allows multiple things to happen at once. Tutto ha inizio nel 1978, or an alternative beginning. This performance whispers into dust’s ear, trying to understand the particles before they form a coherent image. Hair will be swallowed and become part of something more. Transformed into the element of dust, an amalgamation of living and dead things. Dust needs a place to congregate. Dust records the passing of time and directs our attention to objects’ contours and atmospheres.